A sideways look at flamenco: Albert Quesada and Zoltán Vakulya in OneTwoThreeOneTwo April 18, 2022April 11, 2019 by Charlotte Kasner ‘What is flamenco?’ Ask they may, but tell us they don’t.
A ballet celebration: Ivan Putrov’s Against The Stream April 18, 2022April 10, 2019 by Charlotte Kasner A terrific gala
A glittering evening at the Russian Ballet Icons Gala April 18, 2022April 4, 2019 by Charlotte Kasner An evening of the familiar and the less so
But where is the Dostoyevsky? Saburo Teshigawara’s The Idiot April 18, 2022March 25, 2019 by Charlotte Kasner Denuded of all context
Music in motion: Alston – The Final Tour April 18, 2022March 4, 2019 by Charlotte Kasner Technically and artistically stunning
English National Ballet’s Swan Lake casts its spell April 18, 2022January 5, 2019 by Charlotte Kasner A magical moonlight setting
GöteborgsOperans Danskompani, Sidi Larbi Cherkaoui & Antony Gormley: Icon April 18, 2022December 3, 2018 by Charlotte Kasner Packs subtle punches
Matthias Sperling: Now That We Know April 18, 2022November 5, 2018 by Charlotte Kasner An endurance test for even the clear-headed
China National Peking Opera: The Emperor and the Concubine April 18, 2022October 22, 2018 by Charlotte Kasner The great Li Shengsu in the tragi-heroine role