International Dance Festival München: DANCE X AKADEMIE, Ewa Dziarnowska, Diego Tortelli & Miria Wurm
Reviews of ‘DANCE X AKADEMIE’, ‘This resting, patience’ by Ewa Dziarnowska, and TERRANOVA | hidden link by Diego Tortelli and Miria Wurm
Reviews of ‘DANCE X AKADEMIE’, ‘This resting, patience’ by Ewa Dziarnowska, and TERRANOVA | hidden link by Diego Tortelli and Miria Wurm
Reflections on a double header at Sadler’s Wells: Reflexiones sobre las Parcas by a trio of artists, and Matancera by Rosario la Tremendita
Emanuele Soavi’s Peter Pan has all the familiar characters, but is also a telling of the story that comes with one or two surprises.
Two shows that presented the very best of contemporary flamenco, and how lucky are we that London is able to witness it.
What is fascinating is not what the dancers are doing… per se, but the immediacy of their relationship with those close-up audience members.
A sort of serenade, a work of myth, mystery and allure, man and machine, Radio Vinci Park grabbed one from the very beginning to its engine roaring finish
Their stamina is astounding… It is all beautifully done, tightly choreographed but appearing as if spontaneous.
Sara Baras and her company, just five years older than the LOndon Flamenco Festival itself, have set the bar very high… A hard act to follow
19 shows. 11 days. 9 venues. The first of several reports focuses on director Tobias Staab’s opening remarks, and ‘deadlier than dead’ by Ligia Lewis.
Schonbrun delivered on all counts with beautifully placed feet, crystalline classical positions and a finely drawn reading of a complex, wilful Juliet.
The six dancers present sequence after sequence of precise, tight, intricate, and repetitive dance, that certainly hits the spot.