Sheer class: English National Ballet with Van Manen, Forsythe and Bausch
Evenings at the theatre don’t come much better than this
Evenings at the theatre don’t come much better than this
Simple, charming, unaffected… Unpretentious, minimal yet lush
An intensely personal statement, drawing on experience
Artistic director Cheng Tsung-lung (鄭宗龍) turns to three young choreographers
Marvellous to watch the re-birth of two six-decade old pieces in a premiere made accessible via screenings
Dancers explore Kay’s ideas with a rare technical virtuosity that is jaw-droppingly good
Interpreter David Mambouch is alone on stage save for a variety of clothes, male and female, and a pad of headshots
Lin draws local and national culture and an overwhelming sense of ritual into her dance
A tribute to Diaghilev that looked backward, showcased the contemporary and offered something new