Tussock Dance Theater: Eclipse by Wu Chien-wei
As music and dance intertwine, each it seems feeding off the other, feelings and emotions are writ large. Everything is given time to play out.
As music and dance intertwine, each it seems feeding off the other, feelings and emotions are writ large. Everything is given time to play out.
In South, Toru Shimazaki draws on elements of aboriginal dance and music, giving them a contemporary sentiment, but never loses sight of their soul.
The evening of largely student work consisted entirely of ensemble creations with lots of excellent committed dancing
A season presenting over 30 artists. In Second Body by Anarchy Dance Theatre, Chao Ting-ting was beautifully graceful and fluid
The ensemble sing as they dance. It’s a choir of voices that really is rather moving. It’s a hot iron that forges tribal strength and unity
Six works by students alongside Self-Portrait by Hung Tsai-hsi and Hofesh Shechter’s powerful In Your Rooms. The dancing was top drawer
Could human dancers have a symbiotic, cybernetics-like relationship with machines, the outcome being a new form of contemporary dance?
It’s one of those very rare pieces that doesn’t just grow on you with repeated viewings but that seems to reveal more and spark new thoughts with each revisiting
The total commitment of the dancers produces a torrid intensity that sears across the footlights.
Su Pin-wen (蘇品文) and Alexandre Fandard are engaging performers with considerable stage presence. Yet both works, failed to deliver fully
Quite simply, a brilliant piece of theatre, one where the performers don’t move to music but dance the words, physically expressing them in every way