Dance in all its variety: Shinehouse Theatre’s Want to Dance Festival
Over three packed days, artists from 15 countries presented 74 works at the company’s Wan Theater and 16 less traditional venues.
Over three packed days, artists from 15 countries presented 74 works at the company’s Wan Theater and 16 less traditional venues.
Presently being restaged as part of Cloud Gate’s 50th anniversary celebrations, it is ninety minutes of magnificent dance, and magnificent theatre
A show brimming with creativity, imagination and surprise. Great fun and truly entertainment for the whole family.
An artwork in themselves, visual artist reretan pavavaljung’s video projections would comfortably stand alone as an installation in a gallery
Combining traditional Pak-kuán and contemporary sounds with dance that mixes ritual, animistic energy and contemporary movement
An installation that combines moving video images and live performance. A new take on an old tale, but one with a decidedly modern edge
The circus merges seamlessly into the theatre and a work that has a deeply thoughtful, emotional core that pulls you in and never lets go.
Two graduation shows, 25 short pieces, 23 of them by students. Plenty to admire, although some student works struggled and felt a little naive
Visually, it is insanely appealing and gorgeously lit. There are occasional, brief, brighter moments, but Metaphor is a dance in the shadows.
Two fine programmes both featuring a reworking of Ihsan Rustem’s super, tongue-in-cheek Bolero and Tsai Po-cheng’s (蔡博丞) new Dreaminess
She explains that the work explores the complex layering of the various forms of decay, fading and loss to which we are forever exposed…