Toru Shimazaki’s Shattered Moon shines in the University of Taipei’s annual performance
“Not only the highlight of the programme, but one of the best works I’ve ever seen in a Taiwanese vocational school show. And I’ve seen a lot.”
“Not only the highlight of the programme, but one of the best works I’ve ever seen in a Taiwanese vocational school show. And I’ve seen a lot.”
Can indigenous dance presented on stage ever be called ‘authentic’? A question posed by TAI Body Theatre’s Sym-Body
As music and dance intertwine, each it seems feeding off the other, feelings and emotions are writ large. Everything is given time to play out.
In South, Toru Shimazaki draws on elements of aboriginal dance and music, giving them a contemporary sentiment, but never loses sight of their soul.
The evening of largely student work consisted entirely of ensemble creations with lots of excellent committed dancing
A season presenting over 30 artists. In Second Body by Anarchy Dance Theatre, Chao Ting-ting was beautifully graceful and fluid
The ensemble sing as they dance. It’s a choir of voices that really is rather moving. It’s a hot iron that forges tribal strength and unity
Six works by students alongside Self-Portrait by Hung Tsai-hsi and Hofesh Shechter’s powerful In Your Rooms. The dancing was top drawer
A triple-bill of Balanchine’s Serenade, Forsythe’s In the Middle, Somewhat Elevated, and the new Strangelove by Andonis Foniadakis
Could human dancers have a symbiotic, cybernetics-like relationship with machines, the outcome being a new form of contemporary dance?
It’s one of those very rare pieces that doesn’t just grow on you with repeated viewings but that seems to reveal more and spark new thoughts with each revisiting