Green Shoots: Acosta Danza Yunior makes a vibrant UK debut
The dancers are outstanding… they brought youthful energy and zest to the stage… outstanding, always fluid partnering, and depth of emotion
The dancers are outstanding… they brought youthful energy and zest to the stage… outstanding, always fluid partnering, and depth of emotion
A super evening. The finale of Moving Cloud is one of the most joyous five minutes or so I’ve witnessed on stage in a long time
A look ahead with Nancy Hirst (Icon Theatre) and Amina Khayyam (Amina Khayyam Dance Company) to Ghost Ships at Historic Dockyard Chatham
The narrative itself is thin. But who cares when the characterisation is so good, the dancing so terrific, and the energy levels so stratospheric.
A happy couple of hours in the company of some very talented young dancers, whose joy and enthusiasm reached across the footlights.
A compelling book about those dancers who didn’t become stars, about their passion, grit and determination, why they do what they do
High standards and diverse repertory, including the much awaited revival of Kenneth MacMillan’s Ballade, and Arielle Smith’s new Five Dances
The final number apart, it’s not glitzy and it’s not glamourous but it is a terrific piece of theatre. And the singing and dancing are top-notch too.
Sphären.02 certainly embraced a spectrum of styles. Whether it said much about future directions for ballet or dance is highly questionable, however.
“Freely adapted from traditional versions.” Fine performances from Gabriel Figueredo and Mizuki Amemiya, both promoted at the end of the evening
Les Noces and Stop-Motion may only contain around an hour’s dance, but it proved an evening laden with emotion and intensity.