University of Taipei dance students in a varied programme
Eddies of the Body (身‧流漫), a five-work evening, including the super Plural Bodies (複數的身體) by Tung I-fen
Eddies of the Body (身‧流漫), a five-work evening, including the super Plural Bodies (複數的身體) by Tung I-fen
National Taiwan University of Sport at the Metropolitan Hall, TaipeiMarch 4, 2025 March to early-April is the season for the annual performances by the graduating students at Taiwan’s major university dance departments. Given the range of styles they have to master, it is always amazing just how good the standard of performance is. This year … Read more
Something special and quite unique. It’s not so much what the performers do, as remarkable as that is, but how they do it; the ease, grace…
A rich and diverse programme of one masterwork, one popular revival and eight new student works… All were superbly danced.
Nameless Practice by Chien Lin-yi (簡麟懿): “Brim-full of ideas and fabulous images… a really terrific piece that holds the attention from start to finish”
An evening of visual and emotional power, and of fireworks, that I have not seen the like of previously at the National Theater
The young dancers of YBET were sadly nowhere to be seen in a double bill that was, in fact, a showcase for four of Taiwan’s established artists.
The festival guarantees surprise, delight, frustration and more as established choreographers and dancers rub shoulders with those still emerging
“Not only the highlight of the programme, but one of the best works I’ve ever seen in a Taiwanese vocational school show. And I’ve seen a lot.”
Can indigenous dance presented on stage ever be called ‘authentic’? A question posed by TAI Body Theatre’s Sym-Body
As music and dance intertwine, each it seems feeding off the other, feelings and emotions are writ large. Everything is given time to play out.