Varna International Ballet: Swan Lake
While Varna’s production harks back to the original, it just goes to show how the many alterations over the decades have improved the ballet
While Varna’s production harks back to the original, it just goes to show how the many alterations over the decades have improved the ballet
A work that draws you in; a work where you can just sit and admire its power and beauty, or let you mind wander into thoughts about the cosmos
Beings is an unusual, and surprisingly riveting, short piece. A duet danced on reinforced rice paper… Wang’s choreography is exquisite
In Minotaur… choreographer Kim Brandstrup has all he needs in three remarkable dance artists and an eloquent dance language.
The opening moment; a sudden blackout… wall of sound… dancers pulsing in muscular rhythm in cold hazy light sets the stage for a momentous drama.
Tenret takes the audience through every emotion. There are searingly sad moments… frightening moments, and very funny moments.
Set to the highly evocative music of neo-soul artist D’Angelo and The Vanguard, An Untitled Love is a flowing, sensuous piece…
As if being able to juggle and dance weren’t enough, Sean Gandini and his company have added magic to the mix.
an emotional evening of dance. From the bittersweet melancholy of Rudi van Danzig’s Four Last Songs to the full-blooded passion of Mthuthuzeli November’s Fools with a fun interlude from Kristin McNally between, it was an evening to engage heart and soul.
Marianela Nuñez’s several-years-later Act III pas de deux with Lukas Bjørneboe Brændsrød’s Prince Gremin was a thing of sublime beauty
The happy grins and overheard comments during the interval told you all you needed to know. Mary Skeaping’s Giselle is wonderful, a real gem.