Focus Dance Company: Tempestuous
A rich and diverse programme of one masterwork, one popular revival and eight new student works… All were superbly danced.
David Mead
English National Ballet 2025-26 Season
The company are set to perform works by Martha Graham and Crystal Pite, a new ballet by Kameron N. Saunders, and some old favourites
Modernity, tradition, identity, society in a Taipei triple-bill
Nameless Practice by Chien Lin-yi (簡麟懿): “Brim-full of ideas and fabulous images… a really terrific piece that holds the attention from start to finish”
BalletX at Ballet Nights
Co-founder and artistic and executive director Christine Cox talks about the company and its work, and Trey McIntyre’s ‘Big Ones,’ which they wil dance
Dance, installation, music, protest, affirmation: Bintou Dembélé’s G.R.O.O.V.E.
An evening of visual and emotional power, and of fireworks, that I have not seen the like of previously at the National Theater
Humanhood: Infinite
A work that draws you in; a work where you can just sit and admire its power and beauty, or let you mind wander into thoughts about the cosmos
Motionhouse: Hidden
Artistic director Kevin Finnan’s works are always deeply thought, but I’m not sure any has reached out and touched as Hidden.
Varna International Ballet: Romeo and Juliet
While certainly a romantic story of two lovers, Romeo and Juliet is also a tale haunted by death, which Bobrov emphasises throughout.
Birmingham Royal Ballet announces 2025-26 season and a centenary tribute to Sir Peter Wright
The return of Black Sabbath – The Ballet and Don Quixote, and of The Green Table in a fabulous triple bill, plus a gala for Sir Peter Wright
The Royal Ballet: Onegin
Marianela Nuñez’s several-years-later Act III pas de deux with Lukas Bjørneboe Brændsrød’s Prince Gremin was a thing of sublime beauty
Being human, coming together
“It’s a very personal show for me,” says Kevin Finnan about Hidden. “I have very strong feelings about the things we see around the world.”