Curtain Up! takes younger readers behind-the-scenes at the Royal Opera House
Curtain Up! packs a lot into its 40 pages… a super insight for young people (and possibly their grown-ups) into the world of ballet and opera.
Curtain Up! packs a lot into its 40 pages… a super insight for young people (and possibly their grown-ups) into the world of ballet and opera.
The music is gorgeous, the set is fabulous, there’s romance and real, fully-fleshed out characters everywhere you look
Christopher Hampson talks about Scottish Ballet’s new Coppélia by Jess and Morgs that premieres at the Edinburgh International Festival
A fine programme that reflected well the dancers’ classical training, and the School and Stuttgart Ballet heritage
It was a super afternoon, but you really do have to pinch yourself to remind yourself that they are all still in their late-teens
Many of the seven pieces were deeply thoughtful and somewhat dark in tone; a reflection of the times and recent experiences, no doubt
The company look in fine fettle. It was an evening that ran from emotionally intense and thoughtful to fizzling like the best English sparkling wine
The dramaturgy is excellent. If the success of a ballet is judged by how easy it is to follow without reading the synopsis, it is a winner.
Classical ballet dominates even more than usual, although this is likely a consequence of the unique circumstances of the year.
“Trying to expand the range of work, having a whole range of experiences that pushes the art form forward, I think is crucial to us going forward.”
A varied triple bill of works by Yin Yue, Barkha Patel and eddy kwon that all combine the contemporary with the traditional