National Youth Ballet: Evolving Visions
A happy couple of hours in the company of some very talented young dancers, whose joy and enthusiasm reached across the footlights.
A happy couple of hours in the company of some very talented young dancers, whose joy and enthusiasm reached across the footlights.
A compelling book about those dancers who didn’t become stars, about their passion, grit and determination, why they do what they do
High standards and diverse repertory, including the much awaited revival of Kenneth MacMillan’s Ballade, and Arielle Smith’s new Five Dances
The final number apart, it’s not glitzy and it’s not glamourous but it is a terrific piece of theatre. And the singing and dancing are top-notch too.
Sphären.02 certainly embraced a spectrum of styles. Whether it said much about future directions for ballet or dance is highly questionable, however.
“Freely adapted from traditional versions.” Fine performances from Gabriel Figueredo and Mizuki Amemiya, both promoted at the end of the evening
Les Noces and Stop-Motion may only contain around an hour’s dance, but it proved an evening laden with emotion and intensity.
Mackenzie Brown and Henrik Erikson delivered in spades. Brown’s Juliet seemed to surf the waves of emotion that were flooding through her body
Top quality dancing… But perhaps best of all, everything was very classically rooted, with pointework very much to the fore for the women.
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
Perhaps it’s best not to overthink it and rather just sit back and enjoy the fine dancing and the many nuances in the work’s sometimes strange imagery