Lucinda Childs Dance Company: Dance
About movement to music and nothing else. There’s no hidden theme, no hidden meaning. It’s even performed in simple white tops and trousers.
About movement to music and nothing else. There’s no hidden theme, no hidden meaning. It’s even performed in simple white tops and trousers.
The fascinating collage of scenes and sounds engaged fully, watched over not only by the audience but by the rows of portraits that line the gallery’s walls
“2 Chapters Love may be full of ‘classic’ Eyal but, in many ways, it also feels very much an ode to classical ballet.” Plus Sol Léon’s Stars Like Moths.
The fourth of Sharon Eyal and partner Gai Behar’s work to be danced by the Staatsballett, SAABA is different. Behar’s choreography feels more dreamy.
The setting may be dreary, but the story is warm, the characters vividly brought to life. Carols, Christmas tunes, fine dance, and a good story.
Undoubtedly the best production of the ballet in this country by some distance, it’s once again casting its spell over audiences
A super hour or so of theatre, one in which bharatnatyam, kathak and kutiyattam come together with ease
Wayne McGregor’s MADDADDAM certainly challenges… It’s a ballet that just needs time to percolate through one’s consciousness.
A compelling exploration that sees two dancers explore the cultural essence of their bodies as they seek to answer the questions, ‘Who am I?’ and ‘Who are we?’
The couples were never anything less that absolutely precise and perfectly in sync. It is quite mesmerising. For a while.
There is a lot to like. It delights in so many ways. Filled with colour and energy, it’s guaranteed to put a smile on the face