Dickensian delights: Northern Ballet’s A Christmas Carol
The setting may be dreary, but the story is warm, the characters vividly brought to life. Carols, Christmas tunes, fine dance, and a good story.
The setting may be dreary, but the story is warm, the characters vividly brought to life. Carols, Christmas tunes, fine dance, and a good story.
Undoubtedly the best production of the ballet in this country by some distance, it’s once again casting its spell over audiences
A super hour or so of theatre, one in which bharatnatyam, kathak and kutiyattam come together with ease
Wayne McGregor’s MADDADDAM certainly challenges… It’s a ballet that just needs time to percolate through one’s consciousness.
A compelling exploration that sees two dancers explore the cultural essence of their bodies as they seek to answer the questions, ‘Who am I?’ and ‘Who are we?’
The couples were never anything less that absolutely precise and perfectly in sync. It is quite mesmerising. For a while.
There is a lot to like. It delights in so many ways. Filled with colour and energy, it’s guaranteed to put a smile on the face
A compelling celebration of female bravery and heroism focusing on stories from literature, folklore and Urja Desai Thakore’s own family history
For all the good work that goes before, the undoubted highlight of the evening is Crystal Pite’s The Statement.
A marriage between dance, conservation and wildlife experts. “The dance…was largely very pleasing… The dancing right out of the top drawer.”
Choreographer-director Carlos Acosta, and video and set designer Nina Dunn, talk about Acosta Danza’s forthcoming new Nutcracker in Havana