A vision of a disturbing, dystopian eco-dictatorship: Daniela Marcozzi’s monstrous
What if women could be artificially inseminated with animals, plants, minerals, emotions, natural phenomena and behaviours useful to an eco-regime?
What if women could be artificially inseminated with animals, plants, minerals, emotions, natural phenomena and behaviours useful to an eco-regime?
Surreal queerness, limitless imagination, kinky fantasies, mystical visions, loud, monotonous techno, kitschy excesses…and a pinch of occultism
Sometimes more performance-oriented than dance-driven, the festival demonstrated how the various arts languages are increasingly combining
Featuring Oona Doherty’s ‘Navy Blue’, Robyn Orlin’s ‘We wear our wheels with pride…’, Mette Ingvartsen’s ‘The Dancing Public’ and more
The pearl of the week was undoubtedly Sonoma by La Veronal, a surreal work full of captivating images, beauty and strength
Lave appears as a strong yet endangered being of some sort. Her focus is engaged, her stage presence self-assertive and impactful
The impressive level of detail helps the viewer perceive the pain caused by the unspeakable and claustrophobic realm we see
In ‘remains’, time passes normally but also appears to freeze, quicken, expand and slow down, repeat, reverse, even disappear
New and unusual outdoor venues, theatres, and unconventional, industrial buildings made the festival a sort of a treasure hunt
From highly controlled movements, often on one leg, he dance detonates into raging, rave-like moments
Rotem and Laubscher underline the necessity of the arts, most of all, the strong need to dance as a liberating and healing response