Svetlana Zakharova gives an evening full of Amore, and some terrific ballet
An exceptional triple-bill of new work
An exceptional triple-bill of new work
Krysanova is outstanding, a whirlwind of anger that dissolves into plaint sensuality
One waits for ages, then two Baiser de la fées come along at once.
MacMillan manages to make quite a lot of the pretty nasty storyline look beautiful
Weird and wonderful sights come thick and fast
Concerto: as fresh choreographically as the day it was made
A tight, emotive evening that never strays into sentiment, never oversteps the mark